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ABOUT
SETH: |
Seth is a Canadian cartoonist obsessed with the past, not
only his own childhood memories but also the early 20th century. "The
bits and pieces of that time still lingering around today seem
like remnants of some ghost world - a vanished world." He
has been writing and drawing his award winning comic book series Palooka-Ville since
1991. More
details can be found here.
If you know of any other comic-related reading
recommendations made by Seth in interviews or articles
we would love to hear from you. Please provide a scan and/or
link if possible.
Email: recommended [at] readyourselfraw [dot] com |
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RECOMMENDED READING: |
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by John Bagnall
"Discovering John Bagnall's work is like coming across a marvellous
second-hand shop on a rarely frequented street. You wander in,
start digging about, and are soon rewarded with remarkable finds.
You can't help lament that you hadn't found this place earlier.
Much like that second-hand shop, John's work is a wonderful hodge-podge
of cultural flotsam and jetsam (past and present) pulled together
in a genuinely unique way."
From the introduction |
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by Raymond Briggs
"This
is one of the greatest comic narratives ever written. It's such an affecting
piece, you'll cry at the end of it."
From an interview, Destroy All Comics #2 |
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by Chester Brown
"I
really think Chester is a genius, and I don't know too many people I would class
as a genius. He's a really individualistic thinker. I really feel his work comes
out of the intellect... and things Chester has told me have certainly stuck in
my mind and made me think about things I'm doing, especially from a technical
stand point. I have so much respect for Chester that I will really
take his opinion to heart."
From an interview, Destroy All Comics #2 |
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by Ivan Brunetti
"All in all, a pretty impressive first issue. I can't
help but agree with you that Life is a terrifying experience. And
the world - well, I look around and I find it hard to believe
that this is the way things are. It's grim. Anyhow, cheer up.
You can always retreat into a complete fantasy world like I have
- desperately trying to shut out the real world. Read Charlotte's
Web. That makes me want to live."
From a letter in Schizo #2 |
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by Dan Clowes
"There
are comics that I've been very impressed with. Like Dan Clowes' Caricature story.
That was a real high point for him."
From an interview, The Comics Journal #193
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by Robert Crumb
"I
really related to Crumb when I was younger, especially, I remember that story, That's Life,
where he's lookin' for the old records. That really struck a
cord in me when I was about twenty two. I don't feel that Crumb
influenced me, but I feel that when I first read Crumb, there
was that feeling that he confirms your own thoughts..."
From an interview, Destroy All Comics #2 |
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by Steve Ditko
"I do love that Ditko Dr. Strange stuff.
Great stuff. Really beautifully drawn."
From an interview, Destroy All Comics #2
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by Dylan Horrocks
"Hicksville is filled with
life. The drawing sparkles with originality, spontaneity and the obvious
pleasure of a cartoonist enjoying himself."
From the introduction |
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by James Kochalka
"Each
new Kochalka book is like the proverbial onion; new layers are peeled away
revealing greater depths to his deceptively simple world. Monkey vs Robot is
another piece of that onion skin - it charms, delights and surprises."
From the cover blurb |
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by Gilbert Hernandez
"And
I think Gilbert's first Heartbreak
Soup story, the very first one, I think was probably,
it's a terrible think to say to an artist, but to me it's the
most affecting work he ever did... I've liked plenty of other
stuff he's done after, but there was something really powerful
about that first story Heartbreak Soup."
From an interview, The Comics Journal #193 |
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by Igort
"Graphically beautiful, stunningly paced - each panel is
a well observed moment frozen in time. Igort focuses the eye
of a master craftsman and sensitive artist on his subjects."
From the back cover blurb |
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by Joe Matt
"He's very tied into this idea of the laughs pulling you through
the book... he really can't envision doing something where you
don't laugh at the same time. Joe puts a high priority on laughing.
He likes to laugh all the time so it's important to him... It's
rare that I've seen him in true emotional turmoil. It's always
kind of a mock emotional turmoil. It's true that he's probably
suffering, but he's putting on a facade at the same time, as if
Laugh at my neuroses. So it probably
works the same way in his work."
From an interview in The Comics Journal #183 |
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by Brian Ralph
"Brian
takes us places; I wish I'd had this book when I was a kid, so that I could
have studied and pondered it, over and over again, to find the secrets it seems
to contain."
From the back cover blurb |
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by Charles M. Schulz
"He has managed to capture, with these really simple
characters and very few continuities, some sort of deep feeling for the
human condition. I don't want to make it sound too grandiose
or anything, I mean you read Peanuts and
you laugh, but there is something underlying it all that's much
deeper than almost any other gag strip that's ever come along."
From an interview, The Comics Journal #193
"My wife, Tania, gave me the perfect metaphor for my role in
the Peanuts books. I am like a jeweler.
Schulz's strips are the gems, but it is my job to create a beautiful
setting for them. Hopefully a setting that makes them even more
beautiful, yet doesn't overpower the gems with its own garishness
or self importance. That is what I'm trying to do - give Schulz's
work the dignity and sophistication it deserves. Whether I have
succeeded or not depends entirely upon the readers response.
Probably no response at all is the best sign that I have succeeded.
I've tried hard to steer away for the cheerful pop designs that
have almost always hindered Schulz's books in the past. I want
the reader, when they see the book, to realize that this is an
adult item, something meaningful. God knows the strip is subtle
and rich enough - people need to be reminded of that."
From an interview, Book Slut.com
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40 CARTOON BOOKS
OF INTEREST : |
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Included with the 8th issue of Comic Art magazine
(published by Buenaventura Press, 2006) was a small 96-page booklet
titled
40 Cartoon Books Of Interest by Seth.
Seth identifies 40 cartoon books from his book collection, emassed
during 20 years of collecting. For each of the selected books,
Seth explains the significance of the book to him
along side a reproduction of pages from each book. The booklet
also includes a 10-page cartoon introduction explaining his collecting
career.
" To know me is to know that I am a collector. All around
me are the fruits of twenty years of collecting labour. I have
pursued quite a range of items in my time--but the main thread
has always been cartooning... This little book you are holding
is my attempt to share some of these 'finds' with you. It isn't
a list of the fourty best cartoon books. I've included none of
the greats--no Crumb or Herriman. Nor any of my contemporaries.
It's not that sort of list. Even among these old books I've tried
to avoid the obvious choices. Yet, practically nothing is obscure
either. Generally, copies can still be found. It's merely an
eccentric grouping of favourite books. Forty cartoon books of
interest. Enjoy."
Seth, from the introduction.
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Rehistoric Peeps by E.T Reed (1901)
The Office Party by Corey Ford & Whitney Darrow, Jr (1951)
Town Boy by Lat (1981)
Caran D'Ache: The Supreme by Caran D'Ache (1933)
Round The World With The Doo Dads by Arch Dale (1922)
The Drawings Of Clare Briggs Memorial Edition by Clare Briggs (1930)
It Shouldn't Happen by Don Freeman (1945)
To The Kwai - And Back by Ronald Searle (1986)
The New Yorker Album by various (1928)
Das Grosse Trier-Buch by Walter Trier (1972)
It's Better With Your Shoes Off by Anne Cleveland (1955)
The Works Of John Held, Jr by John Held, Jr (1931)
Andy Capp Spring Tonic by Reg Smythe (circa 1958-60)
Fifty Caricatures by Max Beerbohm (1913)
The Projector by Martin Vaughn-James (1971)
A Book Of Drawings by H.M. Bateman (1921)
Lunar Tunes by Wally Wood (2005)
Alay-Oop by William Gropper (1930)
Forty Years With Mister Oswald by Russell Johnson (1968)
The Juggler Of Our Lady by R.O. Blechman (1953)
One Dozen Roses by Carl Rose (1946)
Lover Boy by Stan & Jan Berenstain (1958)
The World Of Donald McGill by Donald McGill (1984)
Oley The Sea Monster by Marie Hall Ets (1947)
The Passport by Saul Steinberg (1954)
M. Pouche Et Le Systeme D by Alain Saint Ogan (1939)
The Crime Busters by Patrick Seguin (1988)
Doug Wright Cartoons From The Montreal Star by Doug Wright (1965)
The Last Flower by James Thurber (1939)
Caricature - The Wit & Humor Of A Nation In
Picture, Song & Story by various (1911)
The Broons by Dudley D. Watkins (1955)
The Foreign Tour Of Messrs. Brown, Jones &
Robinson by Richard
Doyle (1854)
So You're Going To Buy A Book! by Helen E. Hokinson (1931)
Mr Block by Ernest Riebe (1913, reprinted 1984)
Bird Centre Cartoons by John T. McCutcheon (1904)
Mansion Of Evil by Joseph Millard (1950)
Mondo Boxo by Roz Chast (1987)
Feiffer's Album by Jules Feiffer (1963)
East Of Fifth by Alan Dunn (1948)
Pictures Of Life & Character by John Leech (1864)
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