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ABOUT NICK
ABADZIS :
Nick Abadzis is a writer and artist
who lives in London. He creates comics, illustrations and children's
books for a living. In 1994 he won a UK Comic
Art Award for a collection of his rites-of-passage comic strip
Hugo Tate: O, America, originally
serialised in
Deadline magazine. As a writer, his
other comic work includes Millennium Fever (DC/Vertigo,
1995) with Duncan Fegredo, and Children Of
The Voyager (Marvel, 1993) with Paul Johnson. His most recently
published work, You Can't Always Get What You
Want,
appeared in Project:
Superior (AdHouse Books, 2005). His latest
graphic novel, Laika,
was released in 2007 by First Second Books
- read
a preview here. Additionally,
he works as an editorial consultant devising, developing and writing
best-selling children's and specialist magazines for a London publisher.
He also develops cartoon web-sites, including Ancient
Greece for the BBC Schools site.
For further information
and artwork samples visit Nick
Abadzis.com. "You asked me for a list of recommendations for Read
Yourself Raw, so here they are. I've tried not to repeat
what some of your other contributors have listed, though in
some cases that's simply not possible. Also, I've restricted
myself to stuff that's available in English (mostly) and in
print (mostly). There are two lists - the first is cartoonists
I like and the second is just a list of books or comics that
I've read and enjoyed reasonably recently. It feels a bit incomplete,
as I always buy loads of things in foreign languages, but there
you go."
Nick Abadzis
May 2005 |
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CARTOONISTS:
Nick's recommendations in alphabetical order and restricted (mostly) to
stuff that's available in English.
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Artbabe, Jessica's comic published
by Fantagraphics is, I believe, largely out of print though there
are two collections of much of the material that appeared in it.
Mirror, Window or Soundtrack are
excellent places to start, but if you haven't read the wonderful
and frightening La Perdida yet, start
there and work backwards.
Links:
Art Babe.com
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I once read a book by Doug Allen while traveling
home on a packed commuter train. It was embarrassing, because I nearly wet
myself laughing and everyone was turning to look at the nutter who couldn't
stop hooting at the funnybook he held. Doug Allen's
character Steven has
been published in several books, mostly, I think, by Fantagraphics. He also
did a comic called Idiotland (Fantagraphics)
with sometime collaborator, the equally wonderful Gary
Leib. Seek
out their work if you like strange senses of humour.
Links:
Doug
Allen Comics.com
Gary Leib.com
Twinkleland.com
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Not too much of Baudoin's work has been translated
into English, regrettably. A short story, La Wagram,
appeared in last year's arty Rosetta 2 anthology
(Alternative Comics, 2004), which is worth tracking down just to get a taste
of the French master's awesome comics. If you like reading French, then his
books are available. Buy any of them, they're all amazing.
Personal favourites are: Le
Portrait, Couma
Aco, Le Chemin aux Oiseaux and Le
Chemin de Saint-Jean.
Links:
Edmond
Baudoin
Indy
Magazine: The Twenty Best European Graphic Novels You Haven't Read
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Baxendale created The
Bash Street Kids in The
Beano and therefore came up with one of the most enduring ugly
characters ever: Plug (see also Ken Reid below).
Like Reid, Dudley
D. Watkins, Davey Law and R.
T. Nixon, his
is a comics grammar comprised of schoolyard pranks, gags and visual
invention not demonstrated since in British comics with quite the
same creativity and verve. These giants were the grandfathers of
the kind of humour now taken for granted in titles such as Viz.
Baxendale should be knighted, and the
creations of all unsung comics creators here in the UK made assigned
texts in schools. They are, after all, classics.
Links:
Leo
Baxendale
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Isaac the Pirate is available from NBM
books in two English editions that collect the first four French
albums in a smaller format that don't really show off Blain's incredible
artwork. No format could constrain the man's formidable storytelling
talents, however.
Also available from NBM is The
Speed Abater. Great stuff.
Links:
Christophe
Blain
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Back in the day, when Chester Brown put out a comic
called Yummy Fur with alarming regularity, he created
two small masterpieces. These were Ed the
Happy Clown and I Never Liked You. Both
of these are available as collected graphic novels from Drawn & Quarterly.
Links:
Chester Brown Profile
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Three Clowes favourites of mine: Ghost
World,
David Boring and 20th Century
Eightball (Fantagraphics
Books). You can pick almost any Clowes collection and it will be worth reading,
but these are just in a class of their own. Outstanding.
Further Clowes reading:
Eightball: A continuing master class in how to be
inventive in humankind's most inventive communications medium.
Links:
Dan Clowes Profile
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The Complete Crumb Comics (Fantagraphics
Books)
There are three mountain tops in my personal pantheon of
comics Gods. Crumb sits atop one, Schulz and Hergé the
others. Everyone else I like sits someway up one of these three
peaks, but these are the guys who hit me between the eyes at
an early age and injected this cartooning stuff into my blood.
This set starts you at the beginning, unfortunately omitting
the Yum-Yum book
which I believe is only available in a French edition. But never
mind. This is, as they say, the shit.
Further Crumb reading:
The Crumb Sketchbooks: Free your mind
and your ass will follow.
Weirdo: If you are forming a taste for underground
comics, then it might also be worth tracking down Weirdo which lasted,
I think, for about 28 issues between 1980 and sometime in the early nineties.
My favourite anthology comic of all time, originally edited by Crumb himself,
and later by other half Aline. My favourite period though is the one where Peter
Bagge, himself justly famous for Hate edited
the mag. It was a virtuoso balancing act of bringing together the most twisted
minds populating comics' landscape at that time and presenting them all in an
intoxicating sandwich together with a garnish and a smile.
Links:
Robert Crumb Profile
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Abe: Right For All The Wrong Reasons (Top
Shelf)
This is as near to poetry as comics gets. Small, personal
comics that talk about big subjects. Temptation, a
collection of Dakin's philosophical funnies from the pages of Escape and
Deadline has
also been reprinted recently by Active Images.
Links:
Glenn Dakin Profile
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The Adventures of Tintin
Boy reporter. Captain
Haddock. Snowy. Professor Calculus. Moon rockets. Mystery. Political
intrigue. UFOs. Sharks. Incas. Opera singers with voices that shatter
glass. The best.
Further Hergé reading: The Adventures of Jo, Zette et Jocko.
Links:
Hergé Profile
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A short hop down the peak from Crumb are Los
Bros. They were a big influence
on me when I was starting out, but the new reader might not know where to start.
If you've never read any of their work, best place to begin would probably
be the big, hardback collections of Palomar by
Gilbert and Locas by Jaime. (Published by Fantagraphics
Books.)
Further Los Bros reading: Love
and Rockets Vols 1 & 2
Links:
Gilbert
Hernandez Profile
Jamie
Hernandez Profile
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That Hicksville (Drawn & Quarterly) is not remarked
upon more often as one of the landmark graphic novels of our times is unjust
and wrong. A celebration of sorts of the medium itself and the power of storytelling,
Hicksville is magic realism in comics. More people should read this book. Horrocks is now working on a comic called Atlas (Drawn & Quarterly),
which comes out too occasionally.
Links:
Hicksville.co.nz
Dylan Horrocks at Drawn & Quarterly
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Messmer created Felix the Cat, one of the very
first and in this writer's opinion, finest cartoon characters ever created. Nine
Lives To Live is a collection of Messmer's Felix newspaper
strips and I love it. Available from Fantagraphics Books.
Links:
Otto
Messmer
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Milligan is quite rightly well known
for his contributions to the US mainstream, but two of his early
collaborations with the UK's own Moebius, Brendan
McCarthy are shamefully out of print. Skin (coloured by
Carol Swain) and Rogan Gosh are two of the best
comics ever to be produced upon the fair British Isles and, as usual, Blighty
never noticed what was going on in her own navel; just picked 'em out and blew
'em away like so much fluff. Unsurpassed, and long overdue for new editions.
Links:
Brendan
McCarthy
Peter Milligan at Sequential Tart
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Maakies (Fantagraphics Books)
Track down
the first, larger format collection from Fantagraphics, one of the
funniest collections of a comic strip ever.
Sock
Monkey (Dark
Horse)
A different take on sort-of-the-same characters. Hallucinogenic,
naval-gazing beauty. And lots of boats.
Links:
Tony Millionaire
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With Steve Parkhouse: The Bojeffries
Saga
Back
in the early eighties, Dez Skinn published a comic called Warrior. This
was one of two highlights of that mag, both scripted by Moore. The incredibly
versatile Parkhouse is never better as Moore's
foil, creating a comedic masterpiece populated by the funniest family since
Mr. Addams'.
With David
Lloyd: V
For Vendetta (DC
Comics)
In this writer's opinion, still Moore's
best, harshest and most haunting work.
Links:
Alan Moore Profile
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José Muñoz in his collaborations
with fellow Argentine, writer Carlos Sampayo created
Alack Sinner for the European comics
market back in the seventies. Together they tell stories of life
in the underbelly of the big city. Muñoz has
an extraordinary ability to embed within his characters' bodies
and faces their distinguishing idiosyncrasies and mannerisms. In
this way, he begins to draw a reader into a character's life and
often claustrophobic worlds, into their innermost fears and feelings.
He invents new visual grammar in much of his work and his use of
black and white is both incredibly subtle and utterly expressive.
Sinner was available
from Fantagraphics in the eighties and nineties as a black-and-white
reprint magazine, and both Joe's Bar (Titan
Books), a Sinner spin-off and Billie
Holliday (Fantagraphics) have been published in English. Seek
them out.
Links:
José Muñoz
Carlos Sampayo
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Gary Panter created Jimbo which made a big impression
on me when I stole it from the comic book store I worked in when I was a kid.
Shaky lines and scribblings with layers of meaning, he proved that "comics" was
a way of thinking, not just of storytelling. His sketchbook, Satiro-Plastic is
available from Drawn & Quarterly and a whole heap of mini-comics are available
to buy from his shop at his website.
Links:
Gary Panter.com
Gary Panter at Drawn & Quarterly
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Grotesquery incarnate in Faceache and Frankie
Stein, the British psyche explored in Roger
the Dodger, Reid was one of Britain's greatest cartoonists.
I have a whole load of old comic annuals featuring his work and
they are precious, precious items. Find, read, enjoy.
Links:
Ken Reid Tribute Site
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Peanuts. 'Nuff said. The
Complete Peanuts volumes 1 to 3 are out now from Fantagraphics
Books. Start at the beginning and learn why this man enthralled
people the world over with his marvelous doodles and philosophical
insights for fifty years non-stop.
Links:
Schulz Museum
Peanuts at Fantagraphics Books
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There wasn't much in the way of actual comics in British newspapers when I
was growing up, bar Posy and Steve
Bell. Bell is a great political cartoonist,
but I always got the impression that Posy was a storyteller first and was
attracted to her stuff more for that reason. Her many collections of The
Silent Three strip from The Guardian are
out of print but worth tracking down. All her children's comic books are
very fine indeed, and Gemma
Bovery is a full-on graphic novel for the chattering classes.
But don't be put off by that, it's a carefully-plotted, beautifully drawn
and absorbing piece of work and one of the few genuinely worthwhile full-length
graphic narratives to come out of Blighty for too long a year.
Links:
Posy Simmonds
Profile
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Like Blain's work, US publisher NBM once again publishes
small editions of much of Trondheim 's best-known work. With euro-stars Joann
Sfar there
is Dungeon Vol. 1: Duck Heart and Dungeon
Vol. 2: The Barbarian Princess, with Manu Larcenet there
is Astronauts of the Future. If you read French
(or even if you don't), seek out the original large-format editions. But
each of these excellent and prolific European cartoonists are worth seeking
out for more than just their popular collaborations with each other.
Links:
Lewis
Trondheim.com
Manu Larcenet.com
Joann Sfar
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The first comic I ever bought with my own money was The
Dandy,
which went a good way to teaching me to read. I think Watkins drew
or created half of the characters in there. His work turned up in The
Beano,
The Topper, The Beezer, Sparky,
anything produced by DC Thompson, although Oor Wullie and
The Broons appeared
in The Sunday Post. I was envious of the Scots when
I was a kid because they had these marvellous characters appearing every Sunday
in a newspaper. We had to wait 'til the Christmas annuals came out - my brother
always got The Broons and I got Oor
Wullie and The Dandy Book. Wullie featured
the exploits of a good-hearted spiky-haired boy whose favourite possession
was a bucket. He owned a mouse called Jeemy and had friends with names like
Soapy and Fat Bob. I didn't know it then, but Watkins was
Britain's Hergé -
some of his comedy reminds me of the scrapes Captain Haddock gets into and
his linework and ability to communicate character is as masterful as Monsieur
Remi's. He was also adroit at combining everyday mundanity with the surreal
- Dan's world was a combination of modern Britain and Wild West elements. As
immortal as the comedy of Laurel and Hardy, Watkins'
humour still makes me laugh. Timeless. No, "braw".
There are several collections of both The Broons and
Oor Wullie, Lord Snooty and
many other DC Thompson characters available. Often they're remaindered, so
it's worth checking those cut-price bookshops for these gems.
Links:
That's Braw
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OTHER
BOOKS & COMICS :
Other books and comics I've enjoyed recently (in no particular
order):
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Persepolis by Marjane
Satrapi (Jonathan Cape)
Shrimpy & Paul by Marc
Bell (Highwater Books)
Mother, Come Home by Paul
Hornschemeier (Dark
Horse)
Shutterbug Follies by Jason
Little (Pantheon)
Blankets by Craig
Thompson (Top Shelf)
Mish Mash by Blutch (Editions Cornelius)
- OK, sorry, this one's French but I couldn't resist.
Hey, Wait... by Jason (Fantagraphics)
Sshhhh! by Jason (Fantagraphics)
Odds Off by Matt
Madden (Highwater Books)
Palestine by Joe
Sacco (Jonathan Cape)
Safe Area Gorazde by Joe
Sacco (Jonathan Cape)
Lost Girl by Nabiel
Kanan (NBM)
Skidmarks: The Complete Bic Cycle by Ilya (Active
Images)
When I'm Old & Other Stories by Gabrielle
Bell (Alternative Comics)
Fantastic Firsts by Stan
Lee, Jack Kirby and
Friends (Marvel)
Black Hole by Charles
Burns (Fantagraphics)
Hey, Mister by Pete
Sickman-Garner (Top Shelf)
Rubber Necker by Nick
Bertozzi (Alternative Comics)
The Metamorphosis by Peter
Kuper adapted from Kafka (Crown)
Sweaterweather by Sara
Varon (Alternative Comics)
Catch As Catch Can by Greg
Cook (Highwater Books)
Crumple by Dave
Cooper (Fantagraphics)
My Little Funny by Kaz (Fantagraphics)
Anthologies:
Project: Superior by Various (Adhouse Books)
Kramer's Ergot edited by Sammy
Harkham (Avodah Books)
McSweeney's Quarterly Concern Issue 13 edited
by Chris Ware (Hamish Hamilton)
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