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ABOUT
JULES FEIFFER: |
Jules Feiffer writes novels, screenplays and children's books.
Also, he is a superb cartoonist and his internationally syndicated
strip ran for 42 years in The Village Voice between
1956 and 1997, weaving the social, political, and personal into
a perceptive, challenging, often hilarious mix. He is the author
of the plays Little Murders, Knock
Knock, Grown Ups and A
Think Piece and of the screenplays for Carnal
Knowledge and Popeye.
More details
can be found at Jules
Feiffer.com.
If you know of any other comic-related reading
recommendations made by Jules Feiffer in interviews or articles
we would love to hear from you. Please provide a scan and/or
link if possible.
Email: recommended [at] readyourselfraw [dot] com |
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RECOMMENDED READING: |
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edited by Nicholas Blechman
"For so many of us angry at so much that goes on today with so
little in print to represent our frustration, this book of graphic
rage is a needed step in the right direction. If you think you're
all but alone because that's what the experts and pollsters tell
you, peruse these pages and sigh with relief."
From the back cover blurb |
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by Jeff Danziger
"Jeff Danziger's muscular line cracks like a whip, flailing into
shreds the hypocrisies that make up the body politic. Drawing like
a dream, he renders these smart, witty (often hilarious), comic
nightmares. His rage is our solace."
From the back cover blurb |
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by Will Eisner
"Will Eisner was an early master of the German expressionist approach
in comic books - the Fritz Lang school... Eisner's world seemed
more real than the world of other comic book men because it looked
that much more like a movie... His stories carried the same weight
as his line, involving the reader, setting the terms, making the
most unlikely of plot twists credible... I collected Eisners and
studied them fastidiously. And I wasn't the only one. Alone among
comic book men, Eisner was a cartoonist other cartoonists swiped
from."
From The Great Comic Book Heroes |
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by Bob Fingerman
"A sprawling, sexy, smart, nerve-wracking, almost minute by minute
look at the friendships, love life and career of a young cartoonist
trying to make it in anyway he can in a city that couldn't care
less. But I cared and so will you. Bob Fingerman writes and draws
on the dismal subculture of comics-limbo with the eye of an anthropologist
and the gifts of a born storyteller."
From the advertising blurb |
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by Paul Karasik & Judy Karasik
"A touching family memoir presented in alternating chapters by
a sister who writes and a brother who draws comics. The focal point
is an autistic older brother, brought to memorable and nuanced
life in comics and prose interplay. But this is really a family
saga, covering quite a lot of ground and years in style so intimate
and low-key that it is almost self-effacing. It could break your
heart if you weren't smiling."
From the back cover blurb
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by Henry Yoshitaka Kiyama
"Forty years before the birth of the underground and alternative comix, Henry
Kiyama was experimenting in comic strip form with comics as autobiography, comics
as personal statement, comics as sociology, anthropology, and political science,
not to mention comics as a comment on racial and class attitudes and antagonism.
In a time when traditional comics didn't dare venture into this territory, Kiyama
covers it as a mater of course, as if his strip is no more or less than his bemused
comic diary. It is that, but it is more, much more."
From the back cover blurb |
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by Craig Thompson
"In this book, Craig Thompson emerges as a young comics master.
In the purest narrative form he tells a highly charged personal
story, crammed with pain, discovery, hi-jink, penance, religious
conviction and loss... and along comes self-loathing. In this story
of family and first love, that which goes awry in life, goes well
as art. Mr Thompson is slyly self-effacing as he bowls us over
with his mix of skills. His expert blending of words and pictures
and resonant silences makes for a transcendent kind of story-telling
that grabs you as you read it and stays with you after you put
it down. I'd call that literature."
From the back cover blurb |
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