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ABOUT
CHESTER BROWN: |
Chester Brown's comic Ed The Happy Clown has
been described as "assaulting the eyes and offending the sensibilities
of people who considered themselves unshockable." His autobiographical
comics - The Playboy, I
Never Liked You, and The Little Man
Short Strips - were named by The Comics
Journal in their Top 100 Comics of the 20th Century. He
continues to break new ground, most recently with his biography
of the French Canadian revolutionary, Louis
Riel. More
details here.
If you know of any other comic-related reading
recommendations made by Chester Brown in interviews or articles
we would love to hear from you. Please provide a scan and/or
link if possible.
Email: recommended [at] readyourselfraw [dot] com |
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RECOMMENDED READING: |
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by Robert Crumb
"Crumb was a big [influence], although all those underground comics
were some sort of an inspiration. Even in retrospect, I don't think
they were very good, but they showed me that something besides
superheroes could be done. Crumb stays in my mind because he was
just about the most talented guy working in underground comics."
Chester Brown, discussing his influences in Dangerous Drawings |
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by Will Eisner
"Another bridge type book was A
Contract With God by Will Eisner,
which I picked up when it first came out back in '79... it was
an important book too, in making me see that there were other types
of ways of doing comics. There were other kinds of comics that
were possible... here he was doing something different, and something
that wasn't about a character with a mask on his face. That was
neat stuff, and kind of eye-opening at the time."
From an interview in The Comics Journal #135 |
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by Tom Hart
"I'm really enjoying Tom's new series, The
Sands. The drawings
are delightful and I love the carefully paced storytelling technique."
From Underwater #8 |
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by Joe Matt
"... a fascinating if somewhat disturbing examination of a relationship
with serious problems. But more important than that they feature me as a character.
Joe gives me some great dialogue too - I say things like hi and okay and blah
blah blah."
From Yummy Fur #28 |
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by John Porcellino
"What I immediately liked about Perfect Example was
the spareness of the way it was drawn. After reading it, I was pleased to find
out there's much more to it than beautiful artwork. It's sublime and profound
and one of my favorite graphic novels."
From the Drawn & Quarterly web-site |
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by John Stanley & Irving Tripp
"When I looked at other cartoonists work, I would think, Oh,
their styles are much better than mine. I was looking
at cartoonists who draw in a simpler way - like the reprints
of Little Lulu comics which at that
time had just been brought out in hard cover. Those Little
Lulu comics from the 1950's are incredibly simple, but
they work beautifully. I realized I could bring my art down
to a simpler level, and it would work just as well."
Chester Brown, discussing 'style-envy' in Dangerous
Drawings |
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by Jim Woodring
"... for me the joy of reading a good comic book has nothing to
do with how long it takes me to read it or how much of a deal it
was when I bought it.
It probably takes me less than two minutes to read the Frank strip by Jim Woodring...
yet I think Woodring is doing some of the best work in comics today."
From Yummy Fur #31 |
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