
BIOGRAPHY:
"What Seth lacks in prolificacy he more than makes up
for in the thoughtful and mature approach he brings to comics."
Gary Groth, The Comics Journal #193
Seth (1962- ) is the pseudonym of Gregory Gallant, a Canadian
obsessed with the past, not only his own childhood memories
but also the early 20th century. "The bits and pieces
of that time still lingering around today seem like remnants
of some ghost world - a vanished world." For a man haunted
by the past it is ironic that his first comic work was as artist
on the hi-tech 1980's series, Mr X,
where a futuristic city of dreams becomes a city of nightmares.
Recognizing the limitations of collaborating with other writers,
he has been writing and drawing his own comic book series Palooka-Ville since
1991, as well as occasional contributions to the anthology
magazine Drawn & Quarterly.
He fits his comic work around his career in illustration, his
work having appeared in numerous publications such as The
Wall St Journal, The New York Times and The
Washington Post. One particular high-profile illustration
assignment was the artwork for Aimee Mann's Lost
In Space CD released in 2002 which included 4 pages
of comics and 16 illustrations - worth the cost of the CD alone
even if you don't like the music. Aimee herself described the
artwork as having the same tinge of melancholy as her song
writing style.
Seth lives in Guelph, Ontario with his wife, Tania, five cats,
and a huge collection of vintage records, comic books, and
20th Century Canadiana.
Interviews:
POV (2006)
Underground Online (2005)
The AV Club (2005)
Book Standard (2005)
Book
Slut (2004)
Comic Art #6
(2004)
Newsarama:
5 Questions (2004)
Suicide
Girls (2004)
The
Cultural Gutter (2004)
The Comics
Journal #193 (1997)
CBC Archives (1994)
Resources:
Recommended by... Seth
Seth
at Drawn & Quarterly
Reviews:
The Comics Reporter: Wimbledon
Green
Graphic Novel Review: Clyde Fans Book 1
Time.com:
Clyde Fans Book 1 |
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ESSENTIAL
READING: |
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Drawn & Quarterly, 2004
An illustrated memoir recounting one boy's experiences of deprivation and poverty
growing up in a rural farming village during the Great Depression. It reveals
the sad reality of a boy growing up in brutal social and economic conditions.
The short stories are written by John Gallant and illustrated by his son, Seth.
Seth commenting on his father said, "He's not a writer, but he is a wonderful
storyteller. Over the last decade or so, I've managed to get him to write down
all the stories he's told me over my life, and I have been editing them into
a book... They have a wonderful tone - both innocent and bitter at the same time.
I've poured a lot of effort into making it a beautifully designed monument to
his life." |
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Drawn & Quarterly, 1996
From the pages of Palooka-Ville, Seth recounts his
search for meaning in the life and work of Kalo, a forgotten cartoonist from The
New Yorker in the 1940's. His obsessive task takes him through stacks
of crumbling magazines in the hope of finding, and ultimately holding onto, a
piece of the vanished past. Each scene is interspersed with haunting images of
remote forests, old buildings, and distant trains to convey different feelings
of mood and atmosphere.
"A book with such an air of quietude that you feel as
if you can almost believe that the seasons are changing as you
sit and read the story."
Top 100 Comics, The Comics Journal #210 |
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Drawn & Quarterly, 2004
"Anyone turned off by the screaming, exploding in-your-face graphics
of mainstream comicbook fare should seek the solace of Seth's Clyde
Fans: Book One. Pull your rocker onto the back porch, or
spread your blanket on the roof, turn on the fan and enjoy the
quiet."
Time.com
"It was a very old storefront. I used to look into
the window when I walked by because I'm very attracted to this
sort of thing. In the dim light of the office you could see on
the back wall two photographs of two men, which were probably the
owners. I just assumed they were brothers. Over the next couple
of years while working on projects I put together a story of what
these guy's lives were about although it probably had nothing to
do with the reality of their real lives."
Seth, from the Time.com article |
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Drawn & Quarterly, 2006
"Wimbledon Green is a funny little man who arrived unannounced in my sketchbook
last year while thinking about the obsessive behaviour of collectors. Before
I knew it he had taken on a life of his own and in a short six month period a
whole book had been written about him: Wimbledon Green: The
Greatest Comic Book Collector in the World. He is an odd fellow - a bit
of a mystery man actually... you will be introduced to Mr. Green and some of
his comic-book collector rivals. Theirs is a petty little world. I know it well,
being a comic book collector myself."
Seth
"...a densely packed, quirky novel that's some of his most compelling
work yet... Free from the graphic atmospherics and demanding
literary motifs of his more literary work, Seth is able to stretch
out and create a world and a story that is light and funny while
still deeply felt and finely crafted. Wimbledon
Green is an excellent
comic romp, and will seem all too familiar to collectors and
the people that love (or loath) them."
Publisher's Weekly |
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Drawn & Quarterly, 2001
A collection of 200 drawings from Seth's sketchbook including factory workers,
show girls, jazz artists, businessmen, comic book adventurers, all somehow
harking back to the vanished world of the early 20th century.
"Open it up and you'll see why Seth is one of the greatest
cartoonists working today".
Chris Ware |
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| SELECTED
BIBLIOGRAPHY: |
Books:
Forty Cartoon Books Of Interest (2006)
Wimbledon Green (2006)
Bannock, Beans & Black Tea (2004)
Clyde Fans: Book 1 (2004)
Vernacular Drawings (2001)
It's A Good Life If You Don't Weaken (1996)
Periodicals:
Palooka-Ville #1-17 (1991-2004)
Mr X #6-13 (1985-1988)
CD Covers:
Lost In Space by Aimee Mann
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