
BIOGRAPHY:
Joe Sacco (1960- ) was born in Malta, moved with his family
to Australia between 1961 and 1972, before settling in Portland,
Oregon, USA. From an early age he developed a fascination for
all things connected to war and conflict. While still in school
he spent his free time researching and working on a comic about
the Vietnam war (which years later would be submitted to, and
rejected by, RAW magazine). Early
comic influences on Joe were the political and satirical work
of Gilbert Shelton and Bill Griffith. "It made me think
that some people were doing interesting stuff."
He went to college in Eugene, Oregon with the intention of
becoming a journalist but after graduating he was unable to
find "a job writing very hard-hitting, interesting pieces
that would really make some sort of difference." He returned
to his homeland of Malta for a year and got a job writing travel
guidebooks for a local publisher. As a way to make money he
came up with the idea for the publisher to print six of his
64 page romance comics written in the local Maltese language.
Returning to the USA, he published 15 issues of a free, humor
magazine called the Portland Permanent
Press showcasing his own work and that of other cartoonists,
which he co-edited with his business partner, Tom Richards.
Lack of money forced that publication to fold and Joe took
a job as a staff news writer at Fantagraphics Books for whom
he would go on to edit the humor/satirical magazines Honk! and Centrifugal
Bumble-Puppy. Joe's own work was the focus of his next
title, Yahoo!, which included prime
examples of his now trade mark 'cartoon journalism' approach
to comics and his powerful commentary on modern warfare.
Between 1993 and 1995, Joe wrote and drew nine issues of Palestine which
documented his two months spent in the Occupied Territories
in the winter of 1991-92 and which shows the human effects
of the Israeli occupation and subsequent intifada that goes
unreported in the mainstream media. The series was a major
success and won Joe the 1996 American Book Award. His concern
about the ethnic cleansing in Bosnia and the lack of intervention
by the international community led him to want to document
the lives of people suffering in, as well as the politics behind,
the Yugoslav wars of the 1990's, during which an estimated
100,000 to 300,000 people died. "...my stomach was in
knots, basically, about it." In 1995-96, Joe traveled
four times to Bosnia where he established intimate ties and
close friendships that continue to this day. Back in the US,
Joe has produced four harrowing accounts of his time in Bosnia, Christmas
With Karadzic, Soba, Safe
Area Gorazde, and The Fixer.
Interviews:
Village Voice (2005)
Mother Jones (2005)
Frontaal
Kaakt (2005)
BBC (2004)
Image Text (2004)
LA Weekly (2004)
January Magazine (2003)
Salon.com (2003)
The Guardian (2003)
Sequential Tart (2001)
The
Comics Journal Special Vol 1 (2001)
The
Comics Journal #176 (1995)
Resources:
Joe
Sacco at Drawn & Quarterly
Joe
Sacco at Fantagraphics
Reviews:
Daniel Raeburn: War's End
Time.com:
The Fixer
The
Guardian: The Fixer
Time.com:
The Comics Journal Special Vol 1 |
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ESSENTIAL
READING: |
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Fantagraphics, 2001
In late 1991 and early 1992, Joe Sacco spent
two months with Palestinians in Jerusalem and the Occupied Territories
, traveling and taking notes. Upon returning to the United States
in mid-1992, he started writing and drawing Palestine,
which combined the techniques of eyewitness reportage with the
medium of comic-book story telling to explore this complex, emotionally
weighty situation.
"Sacco is a pioneer... he captures the soul of the experience
with all its mud, sweat, ignoble fears, four-letter words, and
lasting damages... The Palestine books
deserve a place among the best of documentary."
The Journal of Palestinian Studies |
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Fantagraphics,
2000
In late 1995 and early 1996, cartoonist/reporter Joe Sacco
traveled four times to Gorazde, a UN designated safe area during
the Bosnian War, which had teetered on the brink of obliteration
for three and a half years. Still surrounded by Bosnian Serb
forces, the mainly Muslim people of Gorazde had endured heavy
attacks and severe privation to hang on to their town while
the rest of Eastern Bosnia was brutally 'cleansed' of its non-Serb
population. But as much as Safe Area Gorazde is
an account of a terrible siege, it presents a snapshot of people
who are slowly letting themselves believe that a war was ending
and that they had survived. Named by The
Comics Journal as one of the best comics of 2000.
"Harrowing and bleakly humorous, Sacco's account of life
during the Balkan conflict is a timeless portrait of ordinary
people caught in desperate circumstances. It's also a work of
genius in an unlikely genre: journalism in comic book form."
Utne Reader |
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Drawn & Quarterly,
2003
How much does the nightly news cost? A carton of cigarettes
maybe, or a pair of Levis. When shells are falling and Western
journalism is the only game left in town 'fixers' are the people
who find war correspondents the human tragedies that make news
editors happy. It's a dangerous occupation, a little amoral and
a lot desperate. Joe Sacco returns us to the dying days of the
Balken conflict and introduces us to Neven, a fixer, looking
to squeeze the last bit of profit from Bosnia before the reconstruction
begins. Thanks to Neven, Joe discovers the crimes of opportunistic
war lords and gangsters who run the countryside in times of war.
"The Fixer is more morally complex and more artistically ambitious
than many well-reviewed novels...
There are kinds of subtlety and metaphorical allusiveness that are easier to
achieve in comics than in novels.
"
The Guardian |
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Drawn & Quarterly, 2005
Joe Sacco recounts two stories from his first-hand experiences of the recent
Bosnian Serb conflict. In Christmas With Karadzic,
Sacco tracks down, and meets, one of the most hated and sought after Bosnian
Serb war criminals. Soba is a popular man about town who finds himself planting
land mines and fighting in the trenches surrounding his home town of Sarajevo.
Despite his harrowing experiences in this brutal urban war, Soba upholds his
reputation as a hard-drinking, hard-living man.
"I know Sacco, barely. But that's not why I'm proclaiming him
one of our best cartoonists and writers. It's because of his
work, which transcends not comics but journalism to pose the
same questions as literature. War's End asks, 'If, when a war
breaks out, all hell breaks loose, once it's over, where does
hell go?'"
Daniel Raeburn |
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| SELECTED
BIBLIOGRAPHY: |
Graphic Novels/Collections:
But I Like It (2006)
War's End: Profiles From Bosnia 1995-1996 (2005)
The Fixer (2003)
The Defeatist (2003)
Palestine (2001)
Safe Area Gorazde (2000)
Comics:
Soba (1998)
Spotlight On The Genius That Is Joe Sacco (1994)
Palestine #1-9 (1993-1995)
Yahoo #1-6 (1988-1992)
Short Stories In...
Stones (1998) in Zero Zero #25
Christmas with Karadzic (1997) in Zero Zero #15
American Splendor : Music Comics (1997) with
Harvey Pekar
As Editor and Contributor:
Centrifugal Bumble-Puppy #1-6 (1987-8)
Honk! #4-5 (1987)
Portland Permanent Press #1-15 (1984-1985)
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