
BIOGRAPHY:
"Grant Morrison is five feet eleven inches
tall and has dark brown hair and hazel eyes. His favourite
colour is turquoise. His favourite foods are chocolate, salt
and vinegar chips, salads and spicy foreign muck. He has an
appendectomy scar. His mother is called Agnes, his dad is called
Walter and his sister is called Leigh. His favourite animal
is a cat and his favourite girl is called Magdalena. His is
single, heterosexual (with possible latent homosexual tendencies),
and is currently quite wealthy. His work has been described
as gibberish. That's all there is to him."
Biographical details from The Invisibles #1
Well not quite all. He now sports a shaved
head. Also, he was born in 1960 and raised in Glasgow. As a
child he immersed himself in mystery and science fiction writing
and collecting American comics. But then in 1976, punk hit
the nation. "I was utterly transformed by it." He
formed a band. "If you stand in front of people and sing
songs that you've written, you get an immediate response, either
they jump up and down or they hit you with beer bottles. I
really like that and I miss it a lot."
Brimming with attitude and always controversial,
Grant has been writing comics professionally since 1978. But
why write comics for a living? "I'd just always wanted
to write, from way back. And I'd written a couple of novels
as a teenager... But then I saw Warrior come
out, and at this point I hadn't read comics for years. The
stuff Alan Moore was
doing seemed interesting enough to give me the idea that maybe
there was something worth doing in comics, and that the kind
of work I was interested in might actually be appropriate for
comics than for novels... I'd rather communicate with lots
of people than a few. One of the reasons I do comics rather
than write books is that nobody buys books any more. If you
do a comic that sells a million and manages one good idea,
it's better than doing a book which sells 2,000 and has a lot
of good ideas."
For
all things related to The Invisibles go to and read Anarchy
For The Masses: The Disinformation Guide To The Invisibles an
issue by issue analysis of Grant Morrison's manifesto.
Interviews:
Newsarama (2006)
Silver Bullet Comic Books (2005)
The Pulse (2005)
Newsarama (2005)
Suicide Girls (2005)
Newsarama (2005)
Pop
Image (2004)
Comic Book Resources (2003)
Barbelith (2002)
Disinformation (2002)
Newsarama (2002)
Sequential Tart (2002)
Ninth
Art (2001)
The Comics Journal #176 (1995)
Resources:
Recommended by... Grant Morrison
GrantMorrison.com
Barbelith
Grant
Morrison at DC Comics
Grant Morrison at 2000AD
Pop Image: Profile
4 Color Heroes
Reviews:
iComics: We3
Ninth
Art: We3
The
Fourth Rail: Seaguy
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ESSENTIAL
READING: |
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with Chris Weston & Gary Erskine
DC/Vertigo, 2004
To outward appearances Greg Feely is a meek lonely man caring for his sick cat,
Tony. But Greg Feely is really a parapersonality, created as a recuperative vessel
for Ned Slade, a top operative in The Hand - an extradimensional cleanup squad
charged with maintaining society's even keel, cleaning up disruptive anti-persons
that threaten social hygiene. Slade is needed back on the job to hunt down the
most dangerous anti-person yet - the rouge Hand agent, Spartacus Hughes. The
Filth is a savage satire of new millennium sex, politics and identity.
"The Filth is the best thing
Morrison has ever written... It's a damn good book, and ambitious
in a way that only a truly gifted writer can pull off. Like Watchmen before
it, it is also one of those rare pieces of art that seduces the
reader with sheer virtuosity."
The Comics Journal #258 |
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DC/Vertigo, 2005
We3 is an eerie tale mixing science fiction and horror... with cute furry animals.
Three innocent pets - a dog, a cat and a rabbit - have been converted into
deadly cyborgs by a sinister military weapons program. With nervous systems
amplified to match their terrifying mechanical exoskeletons, the members of
Animal Weapon 3 have the firepower of a battalion between them. But they are
just the program's prototypes, and now that their testing is complete they're
slated to be permanently de-commissioned. Seizing their one chance to make
a desperate run for freedom, the We3 team are relentlessly pursued by their
makers and must navigate a frightening and confusing world where their instincts
and heightened abilities make them as much a threat as those hunting them -
but a world, nonetheless, in which somewhere there is something called home.
"We3 is the sort of book that can
be described as depressingly beautiful. Everything works so perfectly
here, and while it is certainly a work of beauty, it's a kind
of beauty that brings great sadness by design. It's hard to not
be touched emotionally by We3, and I thank Morrison and Quitely
taking me on a most incredible journey. As a reader, you will
be hard-pressed to find something better."
iComics |
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Marvel 2001-2004
"Grant Morrison is the X-Men franchise's
angel of mercy. In the two decades since Chris Claremont transformed
a third-tier Stan 'n'
Jack creation into the most popular concept in North American
comic books, no greater act of love has been committed on behalf
of mutant kind than the truly mighty act of deadwood clearance
that was Morrison's much heralded run on New
X-Men… Morrison's
labor of love meant killing not just characters but concepts,
entire ways of writing both the X-Men and
superhero comics in general. The posturing villains, the alternate
futures, the constant battles, the tortured soap operatics, even
the costumes (easily the ugliest in all of superherodom, by the
way) - for this potentially fascinating heroic-fantasy concept
to be fascinating once again, Morrison says, we've got to wipe
out everything they've come to be known for and start over. And
it worked. Naturally, the House Of Ideas undid nearly all of
it within a month of Morrison's departure… Morrison intended
his 40-issue X-Men novel to be a
gift to the franchise, but the gift has gone mainly unopened… But
we the readers are left with one of the richest, most humanistic
superhero comics ever written. That's gift enough."
The Comics Journal #263 |
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DC/Vertigo, 1994-2000
On 22 December 2012, history will end. Two opposing forces battle to claim control
of the new universe that will prevail beyond that apocalyptic event. On the
one side wait the Archons of the Outer Church, inhuman forces of control and
tyranny. The Archons and their human agents already control governments, media
and armies. On the opposing side stand The Invisibles,
a loose network of freedom fighters and occult terrorists pledged to sabotage
and undermine the structures of power. This is the choice: Timeless Freedom or
Eternal Control.
"The Invisibles... is that rare thing, a smart, spooky, exciting
comic. Grant Morrison is a master of smart comics."
Time Out
"This is the comic I've wanted to write all my life - a
comic about everything; action, philosophy, paranoia, sex, magic,
biography, travel, drugs, religion, UFO's... you can make your
own list. And when it reaches its conclusion, somewhere down
the line, I promise to reveal who runs the world, why our lives
are the way they are and exactly what happens to us when we die."
Grant Morrison, from The Invisibles #1 |
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with Cameron
Stewart
DC/Vertigo, 2004
Surreal
madness. A hero without a purpose in a world without evil. Would be hero Seaguyand
his faithful companion Chubby Da Choona try to decipher the mystery of Xoo -
a ubiquitous new food that seems to have evolved into a brand-new conscious lifeform.
"As the story progressed and took on a life of its own, it soon
became clear that it was really about the 'big brothering' of society,
omnipresent surveillance and global disinformation. It's about
the dumbing down of culture, the creation of capitalist 'comfort
zones' in the midst of social decay, about a world tranquillized
and satisfied and quite unaware of the dark glue that holds it
all together... and talking tuna fish."
Grant Morrison
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with Paul Grist
Trident Comics, 1990
"... initially it was something based on [my] diaries. But the diaries also
contained my reactions to the election of Thatcher for the first time in 1979,
and I was really surprised, because I kept hearing all these shop keepers saying
how fantastic it would be for the country. And suddenly finding this stuff 10
years later shed a cruel light on it all. So rather than just write something
based on my diaries, which would have been really boring, I wanted it to have
some momentum, and that's how the assassination plot came in. I think a lot of
people have thought that was a political strip, but I don't think it was political
at all. The important stuff was the whole atmosphere of someone being 19, and
that real hothouse way of thinking."
Grant Morrison, from an interview in The Comics
Journal #176 |
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| SELECTED
BIBLIOGRAPHY: |
Graphic Novels:
The Filth (2004)
We3 (2004)
Seaguy (2004)
The Mystery Play (1994)
Sebastian O (1993)
Arkham Asylum (1989)
The Invisibles (1994-2000):
1: You Say You Want A Revolution
2: Apocalipstick
3: Entropy In The UK
4: Bloody Hell In America
5: Counting To None
6: Kissing Mister Quimper
7: The Invisible Kingdom
New X-Men (2001-2004):
1: E Is For Extinction
2: Imperial
3: New Worlds
4: Riot At Xavier's
5: Assault On Weapon Plus
6: Planet X
7: Here Comes Tomorrow
Justice League Of America (1996-2001):
Earth 2
1: New World Order
2: American Dreams
3: Rock Of Ages
4: Strength In Numbers
5: Justice For All
6: World War 3
Animal Man (1988-1990)
1: Animal Man
2: Deus Ex Machina
3: Origin Of The Species
Doom Patrol (1989-1993)
1: Crawling From The Wreckage
2: The Painting That Ate Paris
Prose:
Lovely Biscuits (1998)
Other Comics:
Fantastic Four 1234 (2001)
Marvel Boy (2000-2001)
Flex Mentallo (1996)
Kill Your Boyfriend (1995)
Big Dave (1993)
Kid Eternity (1991)
Dare (1990-1991)
Bible John (1990)
The New Adventures Of Hitler (1990)
St Swithin's Day (1990)
Zenith (1987-2000)
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