
BIOGRAPHY:
"When in 1968 I turned on, tuned in and dropped out, I brought
these skills with me to the anarchist and underground scene. In
those days we had very limited access to print-production, colour
and half-tones were a scarce luxury, so it was important to be
able to produce good black and white, (B/W), or 'line' images -
just like in the late 19th century. These limitations were central
to my developing my skills and continue to be so - our greatest
trial is to be shown our limitations, and our greatest triumph
is to accept them. Black and white is really where it's at."
Clifford Harper
Clifford Harper
(1949- ) describes himself as "a committed anarchist" and
is Britain's leading radical illustrator. He is a self-taught
artist and although much of his artwork resembles the wood cuts
style of drawing, he in fact works mainly in pen and ink. He
was born in London and, after being expelled from school at the
age of 14, he began a series of low paying jobs. As a teenager
living in the 1960's he was drawn to the ideals of the anarchist
movement and lived in communes in Cumberland and in London's Eel
Pie Island. During his illustration career he has continued to
be directly involved in the radical movement and produced publicity
material of the annual Anarchist Bookfair held in London between
1990 and 1999.
However, he has gradually been accepted by the mainstream
providing illustrations for many national newspapers and magazines.
Since 1989 he has drawn for The Radio Times and
from 1996 he began working for The Guardian newspaper,
illustrating the Country Diary and Last Word columns in The
Saturday Review. Clifford Harper's distinctive style
and bold illustrations have made him one of The
Guardian's most popular
graphic artists.
In 2003 he set up Agraphia Press,
dedicated to restoring the balance between illustration and text,
and maintaining the tradition of radical and didactic, black
and white drawing with
the aim of providing accessible, well designed, low priced books
and pamphlets.
Resources:
Agraphia
Press
Reviews:
The
Guardian: Country Diary Drawings |